Traditional Icelandic Sod or Turf Houses, Barns and Buildings: If you look hard enough in the country side of Iceland, you might just spot some of the traditional sod roofed barns, farm houses and storage buildings hidden in the hills.
Icelandic turf houses (Icelandic: torfbæir) were the product of a difficult climate, offering superior insulation compared to buildings solely made of wood or stone, and the relative difficulty in obtaining other construction materials in sufficient quantities.
Lack of good timber lead the Norwegian settlers in Iceland to turn to turf house construction using local birch as support beams.
The common Icelandic turf house would have a large foundation made of flat stones; upon this was built a wooden frame which would hold the load of the turf. The turf would then be fitted around the frame in blocks often with a second layer, or in the more fashionable herringbone style. The only external wood would be the doorway which would often be decorative.
Vermont – How does one truly capture a sense of place in photograph? That’s a good question with no definitive answer. There are no camera settings or com-positional rules that guarantee one will come back with a photograph that captures the essence of a place. But there is I think an ingredient in the recipe that is universal and that is time.
I’ve visited this old barn compound in Windsor, Vermont on many occasions in all different seasons. It’s one of my favorite spots to return to and work out the various compositions afforded by this interesting spot that most would simple drive by on their way to the “top ten” tourist spots.
To truly start to understand a place and then transfer that feeling to others in your photography required spending time in a place. When photographers fail to capture a place in their images, with the result being “ho-hum” or dull photos, its typically because they show up at a spot, say on vacation, and start snapping away before even actually seeing.
When the camera is raised to the eye before the brain actually has time to take in what is being scene, the results are typically uninteresting. Too often we photographers have limited time at a certain place and are rushed to cram in as many “hot spots” or Kodak Moment locations in a day, that we fail to return with a single excellent shot.
Capturing truly excellent images usually requires more intent and planning then what is afforded say on a bus tour through a national park. The most memorable photographs are taken when the light is at its best rather than when you happen to arrive at the location.
And I’ve found that visiting a site over time and through out the year is the best way to truly start to understand what it is you are seeing and trying to capture. Some tips for capturing the essence of a place:
Leave the camera at home on your first trip to a place. (I know this one is tough). Walk around, study all the angles, thing about where the sun is and what type of lighting will look best.
Return to a spot throughout the year.
Return to a spot at different times of the day.
Go on sunny days, go on overcast days.
Don’t set up a tripod right away. Walk around and look. See the image in your mind before selecting a lens and angle.
Bring a step ladder and view the spot from up high, bring a towel and lay down on the ground for a low angle.
Look beyond the obvious, over done shots. When the crowd looks one way, turn around and see what they are missing.
The story behind Horse Barn Sunset goes something like this – we had recently moved to the Upper Valley region to Hanover, NH from Mount Desert Island, Maine. We wouldn’t have made the move if my wife’s old friend Ben encouraged her to take the job at Dartmouth Hitchcock Medical Center. Ben is friend and previous co-worker from the old days in the Boston area.
Ben and his wife Ellen moved to Royalton, Vermont a number of years ago and renovated an old farm house, built a horse barn and now have a collection of horse carriages and participate in competitive carriage driving events.
They invited us over for dinner on late fall day when the beautiful Vermont autumn was still in its glory. I asked if they would mind us coming over early so we planned to get there before the sun set but it took us longer than we planned and arrived when the sun was nearly gone.
I and my camera of course, jumped out of the car and took some pictures, leaving my wife and son to handling the greetings. I managed to grab a few photos of the horse barn from the outside and inside before the light faded and then had time to be gracious to my host.
This photo from inside Ben’s fine horse barn has sold a number of times. It was a tricky capture with the dark interior of the horse barn and the bright foliage outside in the yard. It took a lot of post processing work to preserve the details of the buildings structure and even a horse in one of the stalls.
Outside the foliage of the autumn season is still brilliant in the fading sun on a wonderful fall evening in the Upper Valley, sharing a meal with friends.
Family farms sporting traditional and historic wood framed New England barns and stables still dot the New England landscape in Vermont and New Hampshire. The barns, most painted bright red against the summer time green landscape, the brilliant orange, brown and red colors of autumn and the white snowy landscape of winter. But you can find other colors such as white or “hasn’t been painted in decades” gray.
A fine white barn in South Woodstock at the Green Mountain Horse Asssociation. Founded in 1926, GMHA is the nation’s oldest continuously operating horse association whose mission is to provide and maintain opportunities for educational and competitive activities for diverse equestrian disciplines. Emphasis is placed on equestrian trails preservation, horsemanship and youth education.
The facility, located in South Woodstock, Vermont, offers a wide range of events to hundreds of equestrians each year in dressage, driving, events, hunter/jumpers, and trail riding. GMHA is dedicated to preserving trails and open space for equestrian use, and the trail network covers over 400 miles.
The 65-acre facility includes stabling for 196 horses, four all-weather arenas with European Geo-Textile footing, a spectacular cross-country course, and driving hazards.
In Enfield, New Hampshire right next door to the historic Shaker Village is a wildlife refuge and this building is part of the maintenance crew’s facilities.
One of the most photographed farm spots in Vermont if not the world. When you think of Vermont, the image that enters your brain might just be Jenne Farm.
Jenne Farm is a farm located in Reading, Vermont. It is one of the most photographed farms in the world, especially in autumn. The farm has appeared in magazine covers, photography books, and a Budweiser television advertisement; it has also served as a setting in the films Forrest Gump and Funny Farm. Photographs of the farm have appeared on posters, postcards and wall calendars.
Despite its fame, the private farm is located along a dirt road and is not heavily promoted. The only sign indicating its presence is a tiny board along Vermont State Route 106 advertising maple syrup.
The farm became noted for photogenic scenery about 1955 when a photography school in South Woodstock discovered it. Later, it appeared as an entry in a Life photo contest, on the cover of Yankee magazine, and in Vermont Life.
Stowe, Vermont and Waterbury, Vermont have many old farms and old barns including this small horse barn on the way from the Ben and Jerry’s factory and on to the ski resort town of Stowe, Vermont.
This newer classic New England red barn in Etna, New Hampshire, part of Hanover, NH – home of Dartmouth College, beautifully sits on a hillside over looking the small village.
In the backroads of Vermont, far from the last waypoint on the map or GPS, wonderful old wooden barns in their unpainted beauty can be found among the brilliant fall foliage.
A collection of old New England barn buildings with a single red door beyond. This amazing complex of old barns is found right off the main road in Windsor, Vermont – the birthplace of the state.
After the last couple of years of crummy snow conditions it was great getting trip of blizzards this week!
Some people are getting up tight about snow days and the high school year being extended but who cares? My son’s a senior, his graduation day is set in stone. Bring on the snow!
If you live down in Florida or some place where you don’t have snow, this next video will give you an idea of what you are missing. Sure the shoveling is tough but its good exercise.
During the blizzard I like to stay off the roads and let the snow plow crews do their work. Nothing is worse than having to pull cars out of banks and ditches when the drivers could have just stayed at home or maybe planned ahead for that gallon of milk they do desperately needed in the middle of a blizzard.
Luckily in my neighborhood I have this great big old dairy barn to photograph. Its wooden red exterior looks great in the billowing snow storm.
I hiked through the woods, across the road to get these shots of the old red barn in the peak of the onslaught of snow flurries. It was coming down at about two inches an hour at this point and the snow was sliding off the metal roof from the wind blasts.
Getting up close to the barn took a bit of doing. I had my knee high boots on but had to deal with an incredibly steep bank created by the plows and then walk through the layers of ice, six inches of crust and then the eight inches or so of powder snow.
In contrast here is what the scene looks like in the summer time.
A short movie with scenes from my travels around the Upper Valley region of Vermont and New Hampshire.
New Hampshire and Vermont’s Upper Valley is surrounded by the Green Mountains of Vermont and the White Mountains of New Hampshire and consists of many small, wonderful towns and cities. Home to DHMC and Dartmouth College, the ninth oldest college in the country and proudly serving the Ivy League community, Hanover New Hampshire offers the hustle and bustle of an upscale-casual city with a small town feel.
The region along the Connecticut river upstream and downstream from Lebanon, New Hampshire and White River Junction, Vermont, is known locally as the “Upper Valley”. The exact definition of the region varies, but it generally is considered to extend south to Windsor, Vermont, and Cornish, New Hampshire, and north to Bradford, Vermont, and Piermont, New Hampshire.
To buy prints, framed artwork, canvas prints, metal, prints as well as products such as tote bags, cell phone cases, throw pillows and more with photographs from the Upper Valley, visit: http://edward-fielding.pixels.com/
NOTE: The watermark DOES NOT appear on the final print.
I use my photography to communicate my vision of the world. My work deals with storytelling in light and shadow from the beauty, texture and shape of every day objects to wonders of the natural world. — Edward M. Fielding
Fine art photography and digital art by artist Edward M. Fielding. Fielding is an artist working in the photography and digital media. As a freelance artist my work is currently represented by several leading stock agencies.
My work has appeared in featured in numerous magazines, greeting cards, advertising, book covers and media companies as well as been widely shown and juries into fine art shows.
Recently I was one of the featured artists in the PhotoReel art show at Gallery W at the Whitney in the Berkshires.
In addition to fine art photography, I enjoy being a staff educator at the AVA Gallery and Arts Center in Lebanon, NH teaching creative technology such as Scratch and Lego Mindstorms robotics to elementary and middle school children.
Many of the images featured here on Fine Art America are available for rights managed licensing for book covers and other projects from Arc Angel Images – http://tinyurl.com/aww2wzl
All work in this gallery is the original work of Edward M. Fielding. It is for sale, copyrighted to Edward M. Fielding and, as such, is protected by US and International Copyright laws.
Copyright Edward Fielding All Rights Reserved. COPYRIGHT NOTICE:
Edward Fielding retains all rights to these images. It is illegal to copy, scan or duplicate from the website in any form.
Images on this site may not be used for personal or commercial use without written permission by Edward Fielding.
The beginner photographer approaches a scene, raises their camera and “takes” the picture. A seasoned photographer “works” the scene, studying all the possibilities of composition from various angles. Unless you work out all of the possibilities of a scene, you don’t come away with the best possibility. Often this requires revisiting a scene more than once, perhaps in different seasons.
This old barn complex in Windsor, Vermont is eye catching when driving by with its complex arrangement of buildings, weathered boards, red painted doors etc but capturing the feeling of the place is different than snapping a shot from the road. You have do actually engage in the landscape and explore the various angles and arrangements of the composition. Bottom line is to get into the scene and make an photograph rather than take a snapshot.
Below are some photographs of this area taken at different times of the year as well as some thoughts by other photographers on how to work a scene in photography.
“Making a picture just right takes time, even when the thing you’re photographing isn’t moving. Instead, you do the moving — closer, not so close — change lenses, commit to a tripod, micro compose some detail, step back, reconsider, recompose, repeat. And when it looks right it also feels right — just so.” — Sam Abell, from The Life of a Photograph
“The compositional dance is about figuring out a way to move you and your camera, which in turn moves the smallest of details inside your viewfinder for maximum visual impact. You can make use of all photographic techniques to create the atmosphere or emotion you are feeling and want to transmit. It’s about recognizing and understanding what it is that attracted you to the subject matter in the first place, and then determining — through concentration and instinct — how best to communicate those feelings through the photograph.” – Steve Simon
“We don’t always have the time or opportunity to revisit a given scene many times in order to make ourselves happy; however, we should at least be convinced that we have produced the best possible image given the limitations of our own visit. This means that even if a scene is immediately interesting/ arresting, the first image may not necessarily be the best one. Sometimes our instincts are right, sometimes our timing is lucky, and it is; more often than not, there’s always something to be improved.
If you take a look at the work of great photographers immediately before and after a famous image – the Magnum Contact Sheets book is highly recommended for this because it puts the chosen frame in context of what happened immediately before/ after by showing the rest of the frames on the roll – you’ll see that they all have something in common: they spend a lot of time experimenting with variations on the same basic idea, exploring options, and usually end fairly soon after getting the shot they want.” – Ming Thein
“If you’re walking around a city or village and you stop to take a photo, that means something caught your eye (enough to make you stop and photograph it, right?). Don’t just take one shot, shrug your shoulders, and move on. Remember, something made you stop, so there’s probably something there, and taking one quick snapshot probably won’t uncover it.
Your job as a photographer is to “work that scene” and find out what it was that captured your attention. The first step is simply to slow down—stop, look around for a moment, and see what it was that drew your eye in the first place. Was it the color, was it a doorway, an archway, was it some little feature, or something big? If you can figure it out, then you’ll know what to shoot, but more often than not, we can’t exactly describe what it was that made us stop and shoot, but it definitely was something.
Your job is to find it, and to work that scene by trying these techniques: (1) Shoot the area with different focal lengths—shoot a few shots in really wide angle, then try 100mm, then zoom in tight, and see what you find. Stop and look at your LCD to see if you’re getting close. If you see something that looks like it has possibilities, then (2) try changing your viewpoint. Shoot it from a very low angle (get down on one knee) or try shooting it from above (look for stairs you can shoot from or a rooftop angle). This can make the shot come alive. If that looks really good and you’re getting close to nailing the shot, then (3) try varying your white balance (try changing it to Cloudy and see if having the shot look warmer looks better, or try Shade for a warmer look yet). Try all these things (work the scene) and my guess is one of those shots will bring a big smile to your face.” – Scott Kelby
With summer like weather lately, I decided to strike when the skies were clear and hit the road around rural New Hampshire this week and grab some photographs and a bit of video for my stock video collection on Shutterstock as well has create some promotional videos.
The above video features some rural scenes from around the Upper Valley, White Mountains and Lakes Regions of New Hampshire. New Hampshire doesn’t have one single feature that you can put your finger on and say “Oh that’s New Hampshire”, rather its the sum of its parts, a small but vibrant sea coast region around Portsmouth and Rye, the lakes region dominated by the large body of water known as Lake Winnipesaukee, the Upper Connecticut River Valley with Hanover, home to Dartmouth College and other compact villiage towns and the mountain region of The White Mountain National Forest.
Tucked in and around the region are small family farms, quaint country stores, covered bridges, wildlife, hiking trails, recreational trails, mountains, forests, camping, history and more. There might not be one single thing to describe New Hampshire with but its the sum of its parts and the totality of outdoors activities you can find here. Now wonder so many people from the congested Boston area head to New Hampshire on the weekends. New Hampshire has room to breath in the fresh air.
This video presents some of the classic New England red barns you can see in Etna, New Hampshire. Etna is the rural, laid back part of Hanover, NH and is popular with bikers, cross country skiiers, joggers and even Back Country Tours. The Appalachian Trail runs through both downtown Hanover and rural Etna.
The Appalachian National Scenic Trail, generally known as the Appalachian Trail or simply the A.T., is a marked hiking trail in the eastern United States extending between Springer Mountain in Georgia and Mount Katahdin in Maine. The trail is approximately 2,200 miles (3,500 km)[a] long, though the precise length changes over time as parts are modified or rerouted. The trail passes through the states of Georgia, North Carolina,Tennessee, Virginia, West Virginia, Maryland, Pennsylvania, New Jersey, New York, Connecticut, Massachusetts, Vermont, New Hampshire, and Maine.
Video presentation with examples of classic New England style barns found in the Etna, New Hampshire town just outside of Hanover and within the region known as the Upper Valley.
Videographer and fine art photographer often chooses these classic New England barns of Vermont and New Hampshire as subject matter for his landscape photography and prints are available including framed artwork, canvas, acrylic, prints as well as products such as tote bags and throw pillows. Most of the images in the barn portfolio were take in the surrounding area of Vermont and New Hampshire with the occasional barn from Montana or Wyoming.
A barn is an agricultural building usually located on farms and used for various purposes. In the North American area, a barn refers to structures that house livestock, including cattle and horses, as well as equipment and fodder, and often grain. As a result, the term barn is often qualified e.g. tobacco barn, dairy barn, sheep barn, potato barn. In the British Isles and Continental Europe, the term barn is restricted mainly to storage structures for unthreshed cereals and fodder, the terms byre or shippon being applied to cow shelters, whereas horses are kept in buildings known as stables. On the Continent, however, barns were often part of integrated structures known as byre-dwellings (or housebarns in US literature). In addition, barns may be used for equipment storage, as a covered workplace, and for activities such as threshing.
The New England Barn was the most common style of barn built in most of the 19th century in rural New England and variants are found throughout the United States. This style barn superseded the ”three-bay barn” in several important ways. The most obvious difference is the location of the barn doors on the gable-end(s) rather than the sidewall(s). The New England and three bay barns were used similarly as multipurpose farm buildings (housing animals, crop storage and other uses all in one building) but the New England barns are typically larger and have a basement. Culturally the New England Barn represents a shift from subsistence farming to commercial farming thus are larger and show significant changes in American building methods and technologies. Most were used as dairy barns but some housed teams of oxen which are generally called teamster barns. Sometimes these barns are simply called “gable fronted” and “gable fronted bank barns”  but these terms are also used for barns other than the New England style barn such as in Maryland and Virginia which is not exactly the same style as found in New England. A similar style found in parts of the American mid-west and south is called a transverse frame barn or transverse crib barn.